Jean-Félix Brouet
President · Artistic Director
05The man, the vision and the lasting commitment

A stage director, artistic director and prolific author, Jean-Félix Brouet is a man of projects and convictions. Passionate, loyal and known as a man of his word, he devotes his career to weaving together culture, transmission and ethics.

As an expert in growth strategy, he brings a unique cross-disciplinary vision where culture meets the sustainable economy. Founder of the label Terrula Nobilis, he upholds a powerful manifesto:

«Because the Earth is our only heritage, its nobility is our only law.»

This philosophy guides each of his commitments to preserving our environment, enhancing heritage and to nobility through action and sharing. Convinced that cultural investment is a concrete economic driver, he applies to his productions a rigorous, solidarity-based accounting reality: every franc invested in his projects generates a direct, multiplied impact, returning 3 CHF to the community. Alongside his artistic activities, he works as a Senior Consultant, sharing his expertise via his platform www.jeanfelixbrouet.ch.

An approach founded on humility and dialogue

Jean-Félix Brouet's creative approach is rooted in a fundamental conviction: absolute respect for the other. In a world often saturated with certainties, he starts from a principle of modesty and a deep awareness of his own limits, which he turns into engines of creativity, openness and listening.

For him, live performance is not a solitary show of strength, but a collective construction born of dialogue. He conceives his productions as spaces of encounter where ideas collide and harmonise, guided by this adage:

«Alone, I am a drop of water; together, we are an ocean.»

His role as stage director and artistic director is above all an act of love for the artists, whose fragility, strength and capacity to give themselves completely he cherishes. His constant commitment is to build a safe and loyal framework where talent can flourish in respect of the given word. It is in this synergy, this meeting between raw emotion and technical excellence, that true emotion is born, the kind that resonates lastingly with the audience and honours our shared heritage.

A career marked by excellence

Driven by this constant desire to raise lyric and theatrical art to new heights, Jean-Félix Brouet's career is punctuated by popular, immersive successes, among them:

  • Carmen a rendez-vous avec vous · a major creation presented in oratorio format before more than 1400 spectators.
  • Les Grands Airs de l'Opéra · a large-scale show that brought together more than 1200 people.
  • Chant pour Chant · the creation of a choir of excellence combining technical precision and collective emotion, with the complicity and talent of its choir director Élodie Wulliens.
  • Theatre · the staging of many classical and contemporary plays, centred on a demanding, humane and loyal direction of actors.

A driving force of Vaud heritage

Anchored at the heart of regional cultural life, Jean-Félix Brouet is the creator of «La Dictée Vaudoise». Supported by the town of Morges and in close collaboration with Le Livre sur les Quais, the first edition of this event will be held during the prestigious Morges book fair, on the first weekend of September. This initiative embodies his attachment to language, regional outreach and intergenerational transmission. Former president and founder of In Templo-Orbe et Région, he continues to instil a dynamic of networking, sharing and solidarity within the local fabric.

Today president of EvenEx-Lausanne, he structures the association's vision around a close-knit, highly qualified team. Together, they champion a resolutely locavore approach to culture, ensuring that at least 80% of the economic value generated stays in the canton of Vaud, as well as full carbon offsetting and great restraint in technical creation. This transmission also takes the form of a strong commitment to young people and local academic institutions, notably through direct collaborations with regional schools such as the HEMU.

Outlook: the apotheosis and the return to words

Jean-Félix Brouet's artistic horizon is taking shape around two great monumental events that will mark the peak of his stage career:

  • 2028 · Cyrano de Bergerac, the monumental work · a large-scale adaptation of Edmond Rostand's original work, in world premiere. Set to music and carried by first-rank performers, it promises an extraordinary artistic event.
  • 2029 · « Trois Molière et puis s'en va » · a timeless theatrical adventure spread over three consecutive evenings, with a different Molière play each night. This exceptional cycle will be his last great stage creation before passing the baton.

A new chapter. After these major milestones, Jean-Félix Brouet will hang up his stage-director's «apron» to devote himself entirely to his first passion: writing. A natural return to his roots for this author of many novels and essays, in order to keep transmitting, through the sole power of words, the nobility, the history and the secrets of our world.

It is this inner fire that gives his career all its depth. A life lived without that spark would be no more than a frozen set, a rehearsal with no audience and no soul. It is this same flame that runs through his productions, his writing and his commitments: turning every project into a vibrant moment, so that the stage never goes dark and keeps drawing, day after day, a magnificent mosaic of emotions.